Her Kind by Anne Sexton free essay sample

Theme: All humans at some point in life feel ostracized by society which can lead to a life of solitude and loneliness in a frantic search for our identity. Discussion Question: Do you believe that female oppression is still an issue in society today? If not, how has society evolved in that females are more empowered? SUMMARY Significant Literary Devices: imagery, syntax, repetition, allusion, conceit, rhyme scheme Anne Sextons Her Kind is a poem in which the speakers pain is expressed through vivid imagery and dismal repetition. The title of this poem is a portion of the refrain, l have been her kind seen in lines 17, 14 and 21 . This eludes the reader into thinking they are in the third person observing the speakers own life. However, we are actually accompanying them as they peer into the lives of others who are each given different labels such as the witch, the distressed housewife and the persecuted. We will write a custom essay sample on Her Kind by Anne Sexton or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page The rhyme scheme of this poem is ABABCBC which is seven lines, an odd number, which shows that while there indeed is a pattern it is not an even amount of lines which is done purposely to represent the irregularity and imbalance in the life f the speaker. In the first stanza we see a lonesome witch who lurks her neighbourhood solemnly. In the second stanza we peer into the warm caves(8) which are where the tedious mother/wife resides who constantly perfects things due to the lack of structure in her own life. The third and most powerful stanza we see the martyr who is self-empowered and remains true to herself as she rides in a cart towards her death. The phrases ridden in your 5) and flames still bite my thigh(18) are allusions to the Salem Witch Trials in which witches rode in carts to e burned at the stake. Imagery is a significant device in this poem which assists in helping the reader understand the speakers suffering from the isolation she faces from society. Using terms such as twelve fingered (5), lonely thing (5) and haunting the black air(2) to describe her alienation and how she floats through life as though nobody acknowledges her existence. In the first stanza the lines are split with commas which creates a choppy, monotonous effect. This shows that she is simply going through the motions of life, a prosaic being devoid of emotion or otivation to live. Repetition plays a notable role in this poem as it gives us a sense that the speaker relates to these different personas. The speaker has a multifaceted personality as she morphs from one identity to the other in order to feel accepted by society. Right off the bat we see l have in the first line of the first stanza which is repeated in lines 8 and 15 as a declaration; this shows that it is a direct confession from the speaker themselves. Also, the phrase A woman like that is used in lines 6, 3 and 20 to show a generalized spectrum of women who have felt detached from society. One of the most important devices used in this poem is the refrain which is l nave been ner kind . This snows that sne is not the same person as the witch, housewife or martyr but instead they are all elaborate metaphors to portray what she herself is experiencing in life. The witch is not merely Just an image in this poem, it is an extended metaphor which lasts throughout the whole poem, otherwise known as a conceit, to represent women who feel detached from society.

Free Essays on Drowning Girl, Roy Lichtenstein

DROWNING GIRL DATE PAINTED: 1963 MEDIUM: Oil on Canvas PRESENTLOCATION: The Museum of Modern Art, New York SIZE: 171.8 x 169.5 Drowning Girl (1963) is an example of Lichtensteins comic style which began in the early 1960’s. Drowning Girl is a large picture of a girls head surrounded by a tumultuous wave with the caption reading â€Å"I don’t care! I’d rather sink than call Brad for help!â€Å" The first thing to notice about this work is its incredible size. The girls head is monumentally large - the entire painting is about as high as a tall woman. The piece is oversized and striking. Roy Lichtenstein’s comics are what made him famous and all his well known paintings are in this style. The source of his images are obviously from comic books but some of the elements of his compositions come from advertising. Both the form and content of the commercial comic trivialises and generalises emotions, actions, people and objects so as to make them conform to popular opinion. Lichtensteins comics simplified life and reduced its complexities into an assemblage of emotional cues. The viewer accepts this abbreviated language system because it is part of the every day world of media culture.# Lichtensteins comic style works are transparent, simple and easy to interpret. Lichtenstein used this visual language in his adaptation of comic images. The viewer can interpret Lichtensteins comics for themselves and the opinion of the author is concealed. Lichtensteins pictorial vocabulary, typography and the arrangement of his texts are from advertising. Lichtenstein used source material which everyone knew. Because his style is taken from culture - advertising and comics - things everyday people knew - it was widely understood and transparent in what it is trying to say. So in turn his style wasn’t created but rather taken from processes already familiar to people living in the modern communications system and put into new... Free Essays on Drowning Girl, Roy Lichtenstein Free Essays on Drowning Girl, Roy Lichtenstein DROWNING GIRL DATE PAINTED: 1963 MEDIUM: Oil on Canvas PRESENTLOCATION: The Museum of Modern Art, New York SIZE: 171.8 x 169.5 Drowning Girl (1963) is an example of Lichtensteins comic style which began in the early 1960’s. Drowning Girl is a large picture of a girls head surrounded by a tumultuous wave with the caption reading â€Å"I don’t care! I’d rather sink than call Brad for help!â€Å" The first thing to notice about this work is its incredible size. The girls head is monumentally large - the entire painting is about as high as a tall woman. The piece is oversized and striking. Roy Lichtenstein’s comics are what made him famous and all his well known paintings are in this style. The source of his images are obviously from comic books but some of the elements of his compositions come from advertising. Both the form and content of the commercial comic trivialises and generalises emotions, actions, people and objects so as to make them conform to popular opinion. Lichtensteins comics simplified life and reduced its complexities into an assemblage of emotional cues. The viewer accepts this abbreviated language system because it is part of the every day world of media culture.# Lichtensteins comic style works are transparent, simple and easy to interpret. Lichtenstein used this visual language in his adaptation of comic images. The viewer can interpret Lichtensteins comics for themselves and the opinion of the author is concealed. Lichtensteins pictorial vocabulary, typography and the arrangement of his texts are from advertising. Lichtenstein used source material which everyone knew. Because his style is taken from culture - advertising and comics - things everyday people knew - it was widely understood and transparent in what it is trying to say. So in turn his style wasn’t created but rather taken from processes already familiar to people living in the modern communications system and put into new...